Devika, Kaavish, Nida Arab, Mauj & Sketches to Hit Pakistani Markets in January 2010 Announces Dr Yezdani

December 27, 2009


Two more albums have been scheduled for January 2010. Devika Chawla will come out on 2nd of January while sketches are making their debut on 29th of January.


COO, Fire Records, Dr. Akbar Yezdani, has finally announced release dates for albums of Mauj (Now in Technicolor), Kaavish (Gunkali) and Nida Arab.

All the albums will come out with gap of one week between each other. Kaavish, being first in the queue, will hit Pakistani markets on 8th of January ’10. Nida Arab on 15th of January and Mauj’s debut will come out on 22nd of January.

Dr Yezdani also mentioned that the videos are also ready and the long delays weren’t really their fault. He states

Just pray that nothing drastic happens. We have been trying to do this for over a year now but each time there are either explosions, some political issue like elections, long march and what not. This time we are determined. Their videos are ready and hope all goes well. Do buy their CDs and support music

He also mentioned few upcoming releases which will include Sohail Salamat, Call, Annie & Noman Javaid.

Good luck Fire! We all hope that the albums actually come out in January. I personally have been desperately waiting for the release of Mona’s video and Gunkali. read more

Fire Claims “Multiple Album Releases” Each Week in 2010

December 22, 2009

Dr Akbar Yezdani, COO Fire Records, has just made an unbelievable claim on our Facebook page stating that almost 60 albums will be released by Fire Records in the year 2010, 19 of which will be released in the first 4 months, schedule of which will be posted soon after the new year. He also stated that they have planned to release over 80 albums in 2011.

He has already shared the schedule for January which includes 3 major releases including Mauj, Kaavish and Nida Arab. The claim sounds unbelievable because year 2009 hasn’t been a very great year for albums and some major artists of the industry have went independent or even free.

According to the claim, 5 albums per month will come out which means more than one album per week. This also means, production of over thousand songs and at least 100 video releases. read more

Why was Aag Alive a Disaster by “Anonymous Musician”

December 18, 2009

This story has been shared by self-proclaimed unknown musician who was at Dubai/Sharjah for Aag Alive and was part of the performers-list but couldn’t perform. He writes in detail what really happened at Aag Alive. This story was shared by him at PakStop.

First hand info from a last hand artist at the show .

We reached in high spirit and how the promos show, to achieve showing of unity. At sound check, we were all pumped because bigness of stage and other works. We were not amongst the super superstars so we were not being paid to do this since it was the part of our album deal but it wasnt the money we were looking for. It was opportunity to just be valuable to share stage with all the greats of industry for a great cause. It was about to happen the next day. A concert never done in the history on Pakistan Aag hai to dikha do and all slogans were in our heart more than on tv. This concert was cancelled twice in Karachi and once in Lahore and finally it was about to happen. Their dream was to become reality, but it rained in Dubai like never before and once it again the show was cancelled/ postponed.
Why was question in everyones minds.

Faisal Rafi speaks on Kaavish, music production and more

November 10, 2009

Maheen Sabeeh

Faisal_Kaavish-JafferWhile Mekaal Hasan takes a step away from production (to concentrate on his music), Faisal Rafi is taking young artists under his wing and as it turns out, is working on a plethora of records at his Silent Studio (rather silently).

Faisal Rafi is no stranger to the music industry and with has jumped into urban pop music production alongside his other classical projects. In the contemporary music scene, the most prominent record that has Faisal Rafi’s stamp includes Kaavish‘s Gunkali, which remains the talk of the town.

Is the Internet the future of music in Pakistan?

November 8, 2009

As Overload and Mekaal Hasan Band release their records without the backing of a record label and pull it off without a glitch, Instep takes a look at the burgeoning music scene, record label battles and how the Internet just might be the way out

By Maheen Sabeeh

Throwing out the blame

OverloadInternet. The inescapable term that has become an intrinsic part of our lives. We tweet through our phones; share pictures and at times send pointed (albeit indirect) messages to people on Facebook… and that is just one small example. According to the CIA Fact Book, Pakistan had an estimated 17.5 million internet users in the year 2009. So if music sales are going down at stores, which they very much are, we can guess that fans are downloading and sharing albums online instead.

Report Results: Should Fire Records Leave Coke Studio Alone?

September 30, 2009

We recently published an article on how fire records is trying to claim rights on coke studio content. We concluded the article saying, hypothetically, Fire Records is the composition rights owner of some of the content, but is it playing fair in ethical terms? We asked these questions to you in the form of a survey, which has been concluded today. To remove biases and to spread the word, we took support of other portals to present the survey to their audience, so better results may be compiled. I thank Alam and Danish for being kind enough to help me out with this.

Logically, Fire Records has all the composition rights. It’s beneficial for their business to claim rights on each and every content that they have “bought”. So, if we think Fire Records isn’t making efforts for music but being greedy, we need to realize it’s running for business and not for betterment of music. I don’t blame Fire Records for claiming rights on the content they have “paid for”. Musicians are at fault here for selling their composition rights. I am sure musicians do respect Mr. Rohail Hyatt and would care to listen to his words about it. They are allowing the record labels to act “only” as business firms and not the firms for the betterment of music. In the end, it’s the audience that gets hurt when they even have trouble downloading the “free content” just because musicians had sold the composition way before.